CRITICALLY ACCLAIMED GAME OF THRONES LIVE CONCERT EXPERIENCE FEATURING RAMIN DJAWADI BRINGS THE WORLD OF WESTEROS TO NORTH AMERICA IN FALL OF 2018
OCTOBER 10, 2018 | SCHOTTENSTEIN CENTER
Using State of the Art Technology, Game of Thrones® Composer Ramin Djawadi Will Take Fans Of The Acclaimed, Emmy® Award-Winning HBO® Show Through The Seven Kingdoms Spanning Seven Seasons In A New, Immersive Experience.
THE NEW YORK TIMES – “A symphonic spectacular.”
COLUMBUS, OH (September 26, 2017) – The critically acclaimed Game of Thrones® Live Concert Experience Featuring Ramin Djawadi will bring the world of Westeros to Europe in Spring of 2018. A North American leg of the tour has been added for the Fall of 2018, giving fans the opportunity to watch in wonder as famed composer Ramin Djawadi leads an orchestra and choir performing music from all seven seasons of the iconic, Emmy® Award-winning HBO series. The Game of Thrones Live Concert Experience Featuring Ramin Djawadi will include new music and footage from Season 7, as well a new custom stage design and mesmerizing visuals courtesy of state of the art video technology.
“Bringing Game of Thrones Live Concert Experience to audiences earlier this year was a dream come true,” said Djawadi.
“The scale and spectacle of the production brought the world of Westeros to life in a truly immersive fashion, and I’m thrilled to have the opportunity to share the experience with fans again.”
As rich as the stories, intrigue and world of Game of Thrones®, Ramin’s celebrated music for the show resonated with fans from the beginning, as meticulously constructed songs underscored the emotional weight of key moments between beloved characters, lent scale to massive battle sequences and brought to life songs referenced in George R.R. Martin’s books.
Ramin’s relentlessly popular title track has become a pop culture phenomenon in its own right.
The tour, produced and promoted exclusively by Live Nation in partnership with HBO Global Licensing, will continue to use innovative music, tour production and video technology that recreate the realms found throughout Westeros and Essos, showcase footage from the show and add imagery created exclusively for the upcoming tour.
Get Your Creepy on with the CSO’s Free Halloween Happy Hour Concert October 30
Don your swankiest costume and celebrate the spooky with the Columbus Symphony at a free, after-work Halloween Happy Hour concert with complimentary appetizers, a DJ in the lobby, cash bar, and costume contest with prizes. Conducted by CSO Music Director Rossen Milanov, the program will include themes from some of yesterday and today’s most twisted tales, including:
Mussorgsky – A Night on Bald Mountain – This tone poem reflects a musical picture of a meeting of witches on St. John’s Eve, a summer solstice celebration.
Weber – Overture to Der Freischütz (The Marksman) – This opera is based on the German folktale of a marksman who makes a pact with the devil for seven magic bullets that are guaranteed to strike whatever object the marksman desires. However, the seventh is at the disposal of the devil himself.
Saint-Saëns – Danse Macabre (Dance of Death) – This tone poem is based on an old French superstition that “Death” appears at midnight on Halloween each year, calling forth the dead from their graves to dance for him while he plays his fiddle. When the rooster crows at dawn, all must return to their graves until the next year.
Humperdinck – Prelude and Witches Ride from Hansel and Gretel – This German opera is based on the Grimm Brothers fairytale of a young brother and sister kidnapped by a cannibalistic witch living deep in the woods in a house made of sweets.
Wagner – Overture to The Flying Dutchman – This opera portrays a sea captain cursed to ceaselessly roam the sea for his blasphemy. Every seven years, he is given the chance to break the curse by finding a woman that will be faithful to him until death.
Williams – Theme from Jaws
Williams – Themes from Star Wars
The evening will also include a reading of narrative poem The Raven by Edgar Allen Poe.
The Columbus Symphony presents Halloween Happy Hour at the Ohio Theatre (39 E. State St.) on Monday, October 30. Doors will open at 5:30 p.m. with complimentary appetizers, drink specials, and opportunities to meet CSO musicians. The concert begins at 6:30 p.m., and will last for approximately 60 minutes with no intermission. Admission is free. Seating is general admission.
CLASS IS NOW IN SESSION! ANDREW LLOYD WEBBER’S SMASH HIT COMES TO THE OHIO THEATRE OCTOBER 10-15
Broadway legend Andrew Lloyd Webber’s high-octane Broadway and West End hit School of Rock – The Musical is coming to Columbus’ Ohio Theatre October 10-15. Tickets start at $37.50 and can be purchased at the CAPA Ticket Center (39 E. State St.), all Ticketmaster outlets, and online at www.ticketmaster.com. To purchase by phone, please call (614) 469-0939 or (800) 745-3000. Orders for groups of 20 or more may be placed by calling (614) 719-6900.
The performance schedule is as follows:
Tuesday, October 10, 7:30 p.m.
Wednesday, October 11, 7:30 p.m.
Thursday, October 12, 7:30 p.m.
Friday, October 13, 8 p.m.
Saturday, October 14, 2 p.m. & 8 p.m.
Sunday, October 15, 1 p.m. & 6:30 p.m.
School of Rock – The Musical is based on the 2003 smash-hit film of the same name, the production features music from the movie as well as an original score by Andrew Lloyd Webber, lyrics by Glenn Slater, a book by Julian Fellowes, and direction by Laurence Connor.
School of Rock – The Musical opened on Broadway to rave reviews on Sunday, December 6, 2015. This Ben Brantley New York Times ‘Critics’ Pick’ “is an inspiring jolt of energy and mad skillz,” raves Jesse Oxfeld of Entertainment Weekly. And in his four-star Critics’ Pick review, Time Out’s David Cote proclaimed, “School’s IN – forever!”
School of Rock – The Musical was nominated for four 2016 Tony Awards, including Best Musical, Best Score (Lloyd Webber and Slater), Best Book (Fellowes), and Best Leading Actor in a Musical (Alex Brightman). It also won the 2017 Oliver award for Outstanding Achievement in Music.
School of Rock – The Musical follows Dewey Finn, a failed, wannabe rock star who decides to earn a few extra bucks by posing as a substitute teacher at a prestigious prep school. There he turns a class of straight-A students into a guitar-shredding, bass-slapping, mind-blowing rock band. While teaching these pintsized prodigies what it means to truly rock, Dewey falls for the school’s beautiful, but uptight headmistress, helping her rediscover the wild child within.
School of Rock – The Musical features choreography by JoAnn M. Hunter, scenic and costume design by Anna Louizos, lighting design by Natasha Katz, sound design by Mick Potter, and music supervision by Ethan Popp.
School of Rock — The Musical is produced on Broadway by Andrew Lloyd Webber for The Really Useful Group, Warner Music Group & Access Industries, The Shubert Organization, and The Nederlander Organization. Nina Lannan and Madeleine Lloyd Webber serve as Executive Producers.
Columbus Symphony to Savor the Many Flavors of the Iberian Peninsula in the Spanish Flamenco Festival November 3 & 4
Grammy Award-winning guitarist Jason Vieaux and flamenco dancer Griset Damas join the Columbus Symphony and Music Director Rossen Milanov in an all-Spanish evening teeming with passion and exoticism. Spanning the genres of the Iberian Peninsula (Spain, Portugal, Andorra) from flamenco to zarzuela, the full program includes Falla’s El Amor Brujo Suite, Rodrigo’s Concierto de Aranjuez for Guitar and Orchestra, Albéniz’s Chants d’Espagne, and Chapi’s La Revoltosa: Preludio.
The Columbus Symphony presents Spanish Flamenco Festival: Rodrigo’s Guitar Concerto at the Ohio Theatre (39 E. State St.) on Friday and Saturday, November 3 and 4, at 8pm. Tickets start at $10 and can be purchased at the CAPA Ticket Center (39 E. State St.), all Ticketmaster outlets, and www.ticketmaster.com. To purchase tickets by phone, please call (614) 469-0939 or (800) 745-3000. The CAPA Ticket Center will also be open two hours prior to each performance.
Prelude (Friday) – As part of the CSO’s Subject Matter lecture series, Rebecca Haidt, Associate Professor of Spanish at The Ohio State University, will preface the evening’s program with a talk on Casticismo and National Identity in Spanish Music, Art, and Culture (1800-1900).
Prelude (Saturday) – Patrons are invited to join Christopher Purdy in the theatre at 7pm for a 30-minute, pre-concert discussion about the works to be performed.
Postlude – After both performances, patrons are invited to stay for a lobby fiesta featuring Spanish dance and music.
Mozart to Matisse – Wednesday, November 1, 2 p.m., Columbus Museum of Art (480 E. Broad St.)
In this CSO collaboration with the Columbus Museum of Art (CMA), this event will include a lecture examining the art of two of Spain’s great masters of modern art, Francisco Goya and Salvador Dali, and conclude with a chamber music performance by CSO musicians. Tickets are $5 for CMA members or $20 for non-members (which also includes admission to the museum) and can be purchased by calling CMA at 614.629.0359.
Friday Coffee Dress – Friday, November 3, 10 a.m., Ohio Theatre (39 E. State St.)
Experience a working rehearsal prior to that evening’s opening-night performance. Seating is general admission for this 2.5 hour, open rehearsal, offering a behind-the-scenes look at the fine tuning and preparation behind a Masterworks main stage performance. Tickets are $10 and include coffee and snacks.
About CSO Music Director Rossen Milanov
Respected and admired by audiences and musicians alike, Rossen Milanov is currently the Music Director of the Columbus Symphony Orchestra, Chautauqua Symphony Orchestra, Princeton Symphony Orchestra, and the Orquesta Sinfónica del Principado de Asturias in Spain.
Milanov has established himself as a conductor with considerable national and international presence. He has appeared with the symphonies of Colorado, Detroit, Indianapolis, Milwaukee, Baltimore, Seattle, and Fort Worth, as well as the National Symphony Orchestra at the Kennedy Center and Carnegie Hall “Link Up” education projects with Chicago’s Orchestra of St. Luke’s and Civic Orchestra.
Internationally, Milanov has collaborated with the BBC Symphony Orchestra, Orchestra de la Suisse Romand, Rotterdam Philharmonic, Aalborg, Latvian, and Hungarian National Symphony Orchestras. He has also conducted orchestras in Toronto, Vancouver, Mexico, Colombia, Sao Paolo, Belo Horizonte, New Zealand, and the KwaZulu-Natal Philharmonic in South Africa. In the Far East, he has appeared with the symphonies of NHK, Sapporo, Tokyo, and Singapore, the Hyogo Performing Arts Center Orchestra, the Malaysian Philharmonic Orchestra, and the Hong Kong Philharmonic.
Milanov has collaborated with some of the world’s preeminent artists, including Yo-Yo Ma, Itzhak Perlman, Joshua Bell, Midori, Christian Tetzlaff, and André Watts. During his 11-year tenure with the Philadelphia Orchestra, he conducted more than 200 performances. In 2015, he completed a 15-year tenure as Music Director of the nationally recognized training orchestra Symphony in C in New Jersey. In 2013, he completed a 17-year tenure with the New Symphony Orchestra in his native city of Sofia, Bulgaria. His passion for new music has resulted in numerous world premieres of works by composers such as Derek Bermel, Richard Danielpour, Nicolas Maw, and Gabriel Prokofiev among others.
Noted for his versatility, Milanov is also a welcome presence in the worlds of opera and ballet. Most recently, he collaborated with Komische Oper Berlin (Shostakovich’s Lady Macbeth of Mtzensk), Opera Oviedo (Spanish premiere of Tchaikovsky’s Mazzepa and Bartok’s Bluebeard’s Castle that was awarded best Spanish production for 2015), and Opera Columbus (Verdi’s La Traviata).
An experienced ballet conductor, he has been seen at New York City Ballet and collaborated with some of the best-known choreographers of our time such as Mats Ek, Benjamin Millepied, and most recently, Alexei Ratmansky in the critically acclaimed revival of Swan Lake in Zurich with the Zurich Ballet and in Paris with the La Scala Ballet.
Milanov studied conducting at the Curtis Institute of Music and the Juilliard School where he received the Bruno Walter Memorial Scholarship.
About guest guitarist Jason Vieaux
Grammy-winner Jason Vieaux, “among the elite of today’s classical guitarists” (Gramophone), is the guitarist that goes beyond the classical. NPR describes Vieaux as, “perhaps the most precise and soulful classical guitarist of his generation.” His most recent solo album, Play, won the 2015 Grammy Award for Best Classical Instrumental Solo, and he also earned a place on NPR’s “50 Favorite Songs of 2014 (So Far)” for “Zapateado.” Vieaux has earned a reputation for putting his expressiveness and virtuosity at the service of a remarkably wide range of music, and his schedule of performing, teaching, and recording commitments is distinguished throughout the US and abroad. His solo recitals have been a feature at every major guitar series in North America, and at many of the important guitar festivals in Asia, Australia, Europe, and Mexico.
About guest flamenco dance artist Griset Damas
Griset Damas Roche was born in Havana, Cuba, and studied ballet from 6-18 years old. She then became a company member of the Spanish Ballet of Havana, achieving the position of soloist. In 1998, Roche moved to Colombia where she developed a prolific career, making her mark as a dancer and teacher of flamenco. In 2014, she came to Columbus and established UWILLDANCE, the only flamenco studio in the state of Ohio.
About composer Manuel Falla (1876–1946)
Falla was one of Spain’s most important musicians of the first half of the 20th century with his image being portrayed on Spain’s 1970, 100-pesetas banknote. El Amor Brujo (“The Bewitched Love”) is a ballet composed by Falla in 1914-15. Over time, he arranged a rendition for sextet and small orchestra, a concert version for small orchestra, a piano suite, and finally, a second ballet version. El Amor Brujo is the story of a young Andalusian gypsy girl promised in marriage to one man but in love with another. After her husband dies many years later, his ghost continues to haunt the widow and she plots to set herself free of his obsession and unite with the man she truly loves.
About composer Joaquín Rodrigo (1901–99)
The music of Spanish composer and virtuoso pianist Joaquín Rodrigo is among the most popular music of the 20th century. His Concierto de Aranjuez is considered one of the pinnacles of Spanish music and the guitar concerto repertoire. It was inspired by the gardens at Palacio Real de Aranjuez (Madrid, Spain), the spring resort palace and gardens built by Philip II in the last half of the 16th century and rebuilt in the middle of the 18th century by Ferdinand VI. The work attempts to transport the listener to another place and time through the evocation of the sounds of nature.
About composer Isaac Albéniz (1860–1909)
Albéniz was a Spanish pianist and composer best known for his works for piano based on folk music idioms. His Chants d’Espagne (“Songs of Spain”) suite was originally three pieces—Prélude, Orientale, and Sous le palmier published in 1892—but Córdoba and Seguidillas were added in the 1898 edition.
About composer Ruperto Chapí (1851–1909)
One of the most popular composers of his time, Ruperto Chapí wrote a large number of symphonic, band, choral, and chamber works, as well as operas and zarzuelas, a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, incorporating dance and operatic and popular song. His most celebrated work, La Revoltosa (“The Troublemaker”), is a Spanish zarzuela that premiered on November 25, 1897, at the Apollo Theatre in Madrid.
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